Архив рубрики ‘искусство’ Category

Hurra Torpedo — Total Eclipse Of The Heart (live)

Четверг, Апрель 14th, 2011

Вставляющая картинка

Среда, Июль 22nd, 2009

Дизайнерская батарея — хочу! ;)

Вторник, Сентябрь 16th, 2008

батарея Вот такая батарея будущего видится одному дизайнеру. По моему клево!

Вот что он сам говорит:

designer’s own words:

Fractal structures are often used to maximize performance of exchange surfaces, that’s why the radiator shape is inspired by the Peano space filling curve. On the contrary to what it might seem ; this complicated volume is quite easy to build, the first modules (cf technical plan, “8 joins”) are made of existing plumbing joins (a 90° M/F elbow) fitted together by rotation so it is unnecessary to produce a cast which already exists. Repeat the operation by using these modules instead of the initial join by join process to reach a second level (“64 joins”), then redo the assembly one more time with this new component to fulfill the product (“512 joins”). The final 34 cm? structure achieves an excellent heat output thanks to a 2 m? surface area. (One more thing, the plastic is tinted with full mass-tone color but moulding all the parts with a thermosensitive PVC, that changes color according to the temperature of the water flowing inside, would make the radiator appear to glow.)

Батарея в интерьере: (далее…)

Звездные воины, Star Wars

Среда, Июль 11th, 2007

http://very-bored.com/index.php?option=com_content&task=view&id=74&Itemid=1

starwars.jpg

Там есть еще …

Кладезь фантастических фотографий

Среда, Июль 11th, 2007

http://www.darkroastedblend.com/

Удивительные вещи делает Питер Каллесен из бумаги и не только…

Воскресенье, Апрель 1st, 2007

aeble_001.jpgaebledetalje_000.jpgtheimpossiblemeetingbetweenimageandreality2_001.jpgwebholdingontomyself_000.jpglookingback5.jpg

About my work:

A common theme in many of my works is a reinterpretation of classical fairytales as well as a more general interest in memory in connection to childhood — for instance in my performances Castle, Folding and Jukebox. These playful performances exist in the lost land of childhood, between dream and reality and it is in this meeting or confrontation of these two conditions, in a kind of utopian embodiment, that these works of art become alive, often in a tragicomic way.

This interest for the romantic is extended in my later exhibitions White Shadows at Esbjerg Art Museum and From dust to dusk, but here with less focus on the confrontation between dream and reality leaving more space for the poetic aspect as well as the possibility of a reality behind or within the dream.

Lately I have been working almost exclusively with white paper in different objects, paper cuts, installations and performances. Some of these objects and installations are copies of stairs and ladders made out of thin paper. These works derive from my earlier work, Bridge and Still life, dealing with dreams and the impossible — but here in a more fragile and almost sublime version. The trashy style in earlier works is here exchanged with a more precise aesthetics. The work exists in the gab between the recognizable everyday object and the fragile and spherical condition and material in which it appears. The whiteness, the ideal pure copy of something real as well as the vertical direction coherent in most of my paper works, could also indicate the aspect of something platonic or religious.

Most recently I have started making white paper cuts/sculptures inspired by fairytales and romanticism exploring the relationship between two and three dimensionality, between image and reality. I find the materialization of a flat piece of paper into a 3D form as an almost magic process — or maybe one could call it obvious magic, because the process is obvious and the figures still stick to their origin, without the possibility of escaping. In that sense there is also an aspect of something tragic in most of the cuts.

A continual figure in my earlier performances and later drawings is The Dying Swan, who can be described as a hybrid between The Ugly Duckling and a human figure. The Dying Swan reveals different layers of identities, and often he strives for being somebody or somewhere else or tries to achieve the impossible — he is, however, always confronted with reality and failure. He is not only a symbolic character. In his interaction and power-play with the audience his physical presence often creates an intense and uncomfortable atmosphere. In the drawings The Dying Swan creates his own universe, where he seems to be trapped in impossible situations and circles, dealing with death, rebirth, self-creation, and -destruction.

Peter Callesen

Peter Callesen

Ved Linden 4, 3. tv

DK-2300 K?benhavn S

Denmark

tel. + 45 33 23 87 07 / +45 28 72 65 21

e-mail: petercallesen@yahoo.com

http://www.petercallesen.com/index.html